Saturday, November 10, 2007

The Five Act Play

"Imagine that a Shakespearian play is discovered for the first time but most of the fifth act is missing. The decision to stage the play is made. The first four acts and the remnant of the fifth act are given to well-trained and experienced Shakespearian actors who immerse themselves both in the first part of the play and in the culture and time of Shakespeare. They are told to work out the concluding fifth act for themselves.

This conclusion must be both consistent and innovative. It must be consistent with the first part of the play. The actors must immerse themselves in full sympathy in the unfinished drama. The first four acts would contain its own cumulative forward movement that would demand that the play be concluded in a way consistent and fitting with that impetus. Yet an appropriate conclusion would not mean a simple repetition or imitation of the earlier acts. The actors would carry forward the logic of the play in a creative improvisation. Such an improvisation would be an authentic conclusion if it were coherent with the earlier acts.

This metaphor provides a specific analogy for how the biblical story might function authoritatively to shape the life of the believing community. Wright sees the biblical story as consisting of four acts - creation, fall, Israel, Jesus - plus the first scene of the fifth act that narrates the beginning of the church's mission. Furthermore this fifth act offers hints at how the play is to end. Thus the church's life is lived out consistent with the forward impetus of the first acts and moving toward and anticipating the intended conclusion. The first scene of act five, the church's story, begins to draw out and implement the significance of the first four acts, especially act four. The church continues today to do the same in fresh and creative ways in new cultural situations. This requires a patient examination and thorough immersion in what act four is all about, how act four is to be understood in light of acts one through three, and how the first scene of act five faithfully carries forward act four."

Michael W. Goheen expounding one of Tom Wright's ideas in Reading the Bible as One Story

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